Issue 110 – Unsung Sundays https://unsungsundays.com What you should be listening to. Thu, 18 Feb 2016 19:03:36 +0000 en-CA hourly 1 https://wordpress.org/?v=5.2.1 Jay Reatard: Blood Visions https://unsungsundays.com/album-reviews/jay-reatard-blood-visions/ Sun, 22 Nov 2015 13:10:10 +0000 http://unsungsundays.com/?post_type=album_reviews&p=127 Blood Visions is a sad reminder that Jay Reatard is no longer with us, but that's because it's a delightful punk record. It sounds at once familiar, like The Ramones, but it also has all the quirks that Reatard had. It's tight and no production detailed is spared, making it a near-perfect thirty-minute slab of punk rock.

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Blood Visions is one of my favourite Jay Reatard records: it works great at the gym, but it’s also an insanely quirky punk record with a million moving parts. And it never slows down: this thing always moves at a million miles an hour.

You can hear a ton of the Misfits influence, but there’s also a poppy style that breaks in that can be easily traced back to the Ramones. And I can hear a ton of Minor Threat in here too.

Like the best punk, Blood Visions feels like it’s stuck in a time machine from the 80s. Which makes it so easy to love for fans of the genre.

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Opeth: Damnation https://unsungsundays.com/album-reviews/opeth-damnation/ Sun, 22 Nov 2015 13:06:50 +0000 http://unsungsundays.com/?post_type=album_reviews&p=124 Opeth's quietest album is also one of their best: without the growls and deathly distortion they'd become known for, that let Opeth and Mikael Äkerfeldt craft a record that is the Guillermo del Toro of metal albums: quiet, ornate, and beautiful, but sinister beneath the surface.

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Damnation is a popular record in the metal crowd (although it’s truthfully hard to define it as a metal record), but it needs to be heard by everybody. Opeth is a death metal band with a history of folk music, and Damnation is this magnificent acoustic-only folk record they made about ten years ago. And it holds up so well, perhaps better than anything else they’ve ever done.

Opeth is also unique for their take on jazz and blues, and when you merge that with folk and the sort of instrumentation and songwriting that metalheads are used to (the songs are long and filled with great instrumental breaks), you arrive at an incredibly unique record.

Opeth is also known for its frontman/lead singer’s voice. Mikael Åkerfeldt’s impeccable voice is in fine form here, taking the band to incredible new heights.

Most people now suggest that Damnation was the first sign of Opeth’s future exploration of 1970s progressive rock, but that doesn’t give the record enough credit as a folk album. Damnation is an impressive record, perhaps a masterpiece, and my favourite from Opeth’s entire oeuvre.

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Lawrence Taylor: Bang Bang — EP https://unsungsundays.com/album-reviews/lawrence-taylor-bang-bang-ep/ Sun, 22 Nov 2015 13:04:01 +0000 http://unsungsundays.com/?post_type=album_reviews&p=121 Lawrence Taylor's first EP is a crazy strong blues record tinged with all sorts of pop — reminiscent of many of the great singer-songwriters, but also with strong hints of John Mayer and rhythm and blues. While he's not necessarily stumbling onto anything new, Lawrence Taylor's already discovered a sound that really works for him.

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Lawrence Taylor’s EP title doesn’t make it clear what his brief record sounds like: this is a vocal-heavy blues-influenced pop record with huge emphasis on a reverb-laden guitar and Lawrence Taylor’s powerful voice. It’s a great male accompaniment to the new Adelle record, and one that’s worth listening to.

While it might only be four songs, Taylor runs into an issue where the songs almost bleed together. I can’t tell if this is because of any limitations as a songwriter or if this is just the nature of a focused EP. While the album doesn’t feel thematically connected, it all carries a similar mood.

Lawrence Taylor also reminds me of Sam Smith, but he’s singing in a different register and writes songs that aren’t as depressing. He also sounds more aggressive and raw, as if the record labels and producers haven’t had a chance yet to smooth the little bits of black blues influence out of him.

And I think that’s the biggest compliment I can pay Taylor: while I wouldn’t mistake him for one of the blues greats, all of whom were black (due to the history of the genre itself), I can easily trace his influences back. And that’s really cool. It’s easy to put his EP on repeat and just let it do its magic for a day.

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The Men: Open Your Heart https://unsungsundays.com/album-reviews/the-men-open-your-heart/ Sun, 22 Nov 2015 13:02:15 +0000 http://unsungsundays.com/?post_type=album_reviews&p=115 With Open Your Heart, The Men open their hearts and start drifting away from their punk roots to embrace country, surf, and shoe-gazing influences. When they rock out, it's their best record, and although they lack some polish when they start wandering down different paths, it still sounds uniquely like The Men.

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I had to double check when I heard the opening track to Open Your Heart to see if The Men’s records were in any way affiliated with or produced by Dave Grohl, because they sound that similar when they come rolling out of the gate. When these guys put their balls to the wall, they sound amazing, and there’s no doubting who their greatest influences are.

That being said, when they take their feet off the gas and slow down a little bit, they don’t have the same Tom Petty influence that the Foo do. Whether or not that’s a good thing will depend on how much you like the quieter Foo songs. I like The Men more when they’re rocking out, but their quiet songs aren’t bad — they’re just not as memorable or high quality.

Ultimately, what makes the record so interesting is that’s a band trying something new. It’s rare to capture the moments of musical birth on tape, and thanks to their background in fuzzy rock music production, something about their experimentation sounds incredibly organic.

But that all being said, their music is incredibly good when they turn up the distortion. And I absolutely love the simple album art, which is somehow riveting. I can’t figure out why I like it so much. Maybe it’s the colours.

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Arca: Mutant https://unsungsundays.com/album-reviews/arca-mutant/ Sun, 22 Nov 2015 13:00:10 +0000 http://unsungsundays.com/?post_type=album_reviews&p=118 Arca's Mutant is strange and alien, as if the electronics in a studio started making their own music. But for that reason, it's wildly experimental and avant-garde. Arca is leading the way in electronic music by expanding the sonic space, practically creating new textures and sounds — even if they occasionally sound like noise.

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Mutant is probably a great way to summarize Arca’s music: it does feel mutant-like: something unfamiliar and unsettling, and something from a different planet where music is a different entity and lacks many of the same rules that we have here.

You likely have already heard some of Arca’s work: he’s known for his production, which I’ve been told Kanye uses to great effect all over Yeezus. (By that description alone, you’ll probably already know if Arca is for you.) Alt-J also made a side comment on Tumblr this week where they said they believed he was the best electronic producer working today.

All of that is pretty high industry praise, which means Arca is no doubt going to get more popular with the average Joe any time now. Mutant is his sophomore solo work, and while I can’t exactly figure out what would be a single, I can understand why it’s going to get popular. This is a work that is truly original: it defies convention, often doesn’t even sound like music, and yet somehow continues to throb along to some sort of terrifying beat.

It’s the musical equivalent of a slasher movie.

That all being said, I’ll go out on a limb and say this album isn’t for me. But I know a game-changer when I see one. I didn’t particularly enjoy Mutant on my first listen (or Arca’s first record, for that matter), but it started to make more sense on its second and third play throughs. And I understand some of the hype, which means it might work for you. If wildly unpredictable, dark, and slightly unsettling electronic music is your thing, you should give it a shot.

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