Issue 103

Ought’s Sun Coming Down has all the trappings of a considerable punk classic, but it’s a 2015 release from a Canadian rock band that seems intent on adding a sense of depth to their satire. An altogether unusual, but engrossing, punk record. Read more.

Battles’ latest record dares to be a completely instrumental affair, and somehow succeeds in finding a sense of melody on the way. For those of us who love experimental alternative and indie rock, the album is an undeniable rip-roaring success, but it may not convert anybody into a new fan. Read more.

With High, Royal Headache feels like they’ve stepped into some sort of alternative universe where The Strokes still make awesome music and The Misfits still reign. Wish a dash of The Ramones, Royal Headache have made a legitimate punk record that’s approachable for anybody. Read more.

Steve Hauschildt is, by a considerable margin, the most consistent and recognizable former member of Emeralds, and he doesn’t disappoint with his latest record. Where All Is Fled is dazzling atmospheric electronic that reveals both Hauschildt’s technical chops and songwriting abilities. Read more.

Have You In My Wilderness is an album that is genuinely surprising and catches your attention despite its artistic leanings. Somehow, Julia Holter has managed to find a way to bridge her artistic leanings with a stronger purpose in pop sensibility. Read more.