Issue 121

Some traditional jazz lovers may be disappointed by Emily’s D+Evolution, but Esperanza Spalding’s first post-Grammy record shimmers as a shining example of great jazz rock and is a remarkable evolution for her as an artist. Read more.

Plaza, Quilt’s third record, is an album filled with growing pains. But very often, these growing pains result in wonderful songs that shouldn’t be missed by fans of the indie rock and alt-folk genre. Read more.

Colours’ dark synthpop feels like it belongs in both a night club and at a Nine Inch Nails concert, as the electronic duo embraces pop hooks and dark, aggressive instrumentation. Read more.

Anderson .Paak’s second album feels like a moment of triumph for the singer, as the polish in production and his songwriting abilities finally catch up with .Paak’s musical vision. Read more.