Issue 101

Expo 86 is by far Wolf Parade’s most accessible record. While fans will clamour and complain that Apologies to the Queen Mary isn’t as highly recommended, Expo simply feels more consistent and listenable. Read more.

Perhaps most impressive about Gwenno’s debut as a solo singer is that, despite the language barrier (she sings in Welsh) and the album’s concept (Y Dydd Olaf is immensely political), it remains incredibly approachable as a pop record. Read more.

Art of Translation is the best record from Grits — their most consistent and interesting. From beginning to end, the album feels cohesive and focused. Read more.

Sofia Nolin feels like the closest thing we have to a French version of Adelle, but she carves her own path buy focusing on introspective, sad songs. The French vocal work adds to this record’s mystique and beauty. Read more.

This (lengthy) debut EP from the incredibly young and vocally versatile Francesco Yates is a total stunner, with shimmering vocal work overtop of some fantastic R&B-influenced pop tracks. One of the great treats from the past year. Read more.